Naya Theatre, curated by Habib Tanvir in 1959, aimed to reverse the colonial trajectory of Indian theatre while connecting it to India's culture and tradition. Tanvir is known mainly for two interventions in Indian Theatre. The first was that he introduced local artists in his performance, and the second was that he broke away from the proscenium theatre into diverse spaces. He adopted the folk form Nacha of Chhattisgarh, in which music and songs play a complementary role in the performance.