I had the opportunity to watch Shabdangal in the second edition of Bharat Rang Mahaotsav (2026) while returning from a conference. The train to Roorkee was scheduled to start at night, whereas I reached Delhi in the evening. Hence, to make the most of the time, I booked a ticket to Shabdangal. Based on my previous experience watching a play at the Bahumukh auditorium of NSD, I knew it would delight me to the fullest.
If I say that any drama is more read than performed in India, would you believe it? You don't need to believe me. I would advise taking this exercise. Reflect for a while- How many plays have you read till now? How many plays have you watched in theatres?
Derived from the Greek word 'theatron,' theatre refers to a place of viewing. To understand the structure of such theatre, consider it a room where the fourth wall is removed, allowing the audience to see what happens inside. A proscenium theatre is divided into two sections: the stage (where the actors perform) and the house (where the audience sits). Let's look at the stage first.
The performance starts with a benediction, a characteristic feature of the Natyashastra, in which the artists seek a blessing from the god for a successful performance. Both Dr Bhalla and Deepti encircle the stage till the apron, starting from the left wing, their bodies bend in gratitude, hands folded, seeking blessings from God (bhudevi), followed by the audience and the co-artists on percussion and vadyas.
'Any play is a dynamic entity'–aptly gets reflected in the play Ghalib in Delhi! I came across the play Ghalib in Delhi multiple times when I started my theatre-hopping journey back in 2022, until I finally watched it on October 4, 2025. It is interesting to note that I watched the first commercial play, Big … Continue reading Play Review: Ghalib in Delhi
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