Crossfade- Episode 4: Anatomy of Theatre

Derived from the Greek word 'theatron,' theatre refers to a place of viewing. To understand the structure of such theatre, consider it a room where the fourth wall is removed, allowing the audience to see what happens inside. A proscenium theatre is divided into two sections: the stage (where the actors perform) and the house (where the audience sits). Let's look at the stage first.

Naya Theatre’s Adaptation of A Midsummer Night’s Dream

Naya Theatre, curated by Habib Tanvir in 1959, aimed to reverse the colonial trajectory of Indian theatre while connecting it to India's culture and tradition. Tanvir is known mainly for two interventions in Indian Theatre. The first was that he introduced local artists in his performance, and the second was that he broke away from the proscenium theatre into diverse spaces. He adopted the folk form Nacha of Chhattisgarh, in which music and songs play a complementary role in the performance.

Crossfade-Episode 2: Asides-You Know but They Shouldn’t

The etymology of the word 'Aside' dates back to the 14th century, Middle English, meaning 'one side' or 'to the side.' It was popularised by the 15th-century Elizabethan dramatists in the Renaissance period, who used it to share comments, expressions, secrets, and humorous and witty remarks directly to the audience without involving the characters on the stage.

Mohiniyattam: A Performance that Enchants!

Mohiniyattam-IIT Roorkee

The performance starts with a benediction, a characteristic feature of the Natyashastra, in which the artists seek a blessing from the god for a successful performance. Both Dr Bhalla and Deepti encircle the stage till the apron, starting from the left wing, their bodies bend in gratitude, hands folded, seeking blessings from God (bhudevi), followed by the audience and the co-artists on percussion and vadyas.

Engaging Satirical Comedy Play: Tajmahal ka Tender at NSD

To encourage viewership on stage, I've decided to write honest reviews of whatever play I watch so that it'll be easy for you to plan for a theatrical performance on weekends. Also, I'll suggest everyone at least visit the theatre not to watch a movie but a theatrical play and see the actors in Flesh … Continue reading Engaging Satirical Comedy Play: Tajmahal ka Tender at NSD

Play review: 12 Angry Men

Sri Ram Theatre, Delhi Playwright: Reginald Rose (1954) Genre: American Courtroom Drama, Crime Language in which it is written initially: English Stage Adaptation: Sri Ram Theatre (Hindi). Also available in other languages. Ticket Cost: 200/- + gst Screen Adaptation: First as a Television play, then a stage version by Sherman L. Sergel. Later into movies. … Continue reading Play review: 12 Angry Men